Museum of Modern Art (MoMA)

11 West 53rd Street
In the late 1920s, three progressive and influential patrons of the arts, Lillie P. Bliss, Mary Quinn Sullivan, and Abby Aldrich Rockefeller, perceived a need to challenge the conservative policies of traditional museums and to establish an instituti... more
In the late 1920s, three progressive and influential patrons of the arts, Lillie P. Bliss, Mary Quinn Sullivan, and Abby Aldrich Rockefeller, perceived a need to challenge the conservative policies of traditional museums and to establish an institution devoted exclusively to modern art. They, along with additional original trustees A. Conger Goodyear, Paul Sachs, Frank Crowninshield, and Josephine Boardman Crane, created The Museum of Modern Art in 1929. Its founding director, Alfred H. Barr, Jr., intended the Museum to be dedicated to helping people understand and enjoy the visual arts of our time, and that it might provide New York with “the greatest museum of modern art in the world.” The public’s response was overwhelmingly enthusiastic, and over the course of the next 10 years the Museum moved three times into progressively larger temporary quarters, and in 1939 finally opened the doors of the building it still occupies in midtown Manhattan. Upon his appointment as the first director, Barr submitted an innovative plan for the conception and organization of the Museum that would result in a multi-departmental structure based on varied forms of visual expression. Today, these de... more

In the late 1920s, three progressive and influential patrons of the arts, Lillie P. Bliss, Mary Quinn Sullivan, and Abby Aldrich Rockefeller, perceived a need to challenge the conservative policies of traditional museums and to establish an institution devoted exclusively to modern art. They, along with additional original trustees A. Conger Goodyear, Paul Sachs, Frank Crowninshield, and Josephine Boardman Crane, created The Museum of Modern Art in 1929. Its founding director, Alfred H. Barr, Jr., intended the Museum to be dedicated to helping people understand and enjoy the visual arts of our time, and that it might provide New York with “the greatest museum of modern art in the world.”

The public’s response was overwhelmingly enthusiastic, and over the course of the next 10 years the Museum moved three times into progressively larger temporary quarters, and in 1939 finally opened the doors of the building it still occupies in midtown Manhattan. Upon his appointment as the first director, Barr submitted an innovative plan for the conception and organization of the Museum that would result in a multi-departmental structure based on varied forms of visual expression. Today, these departments include architecture and design, drawings and prints, film, media and performance, painting and sculpture, and photography. Subsequent expansions took place during the 1950s and 1960s, planned by the architect Philip Johnson, who also designed The Abby Aldrich Rockefeller Garden. In 1984, a major renovation designed by Cesar Pelli doubled the Museum’s gallery space and enhanced visitor facilities.

The rich and varied collection of The Museum of Modern Art constitutes one of the most comprehensive and panoramic views into modern art. From an initial gift of eight prints and one drawing, The Museum of Modern Art’s collection has grown to approximately 200,000 paintings, sculptures, drawings, prints, photographs, media and performance art works, architectural models and drawings, design objects, and films. MoMA also owns approximately two million film stills. The Museum’s Library and Archives contain the leading concentration of research material on modern art in the world, and each of the curatorial departments maintains a study center available to students, scholars, and researchers. MoMA’s Library holds over 320,000 items, including books, artists’ books, periodicals, and extensive individual files on more than 90,000 artists. The Museum Archives contains primary source material related to the history of MoMA and modern and contemporary art.

The Museum maintains an active schedule of modern and contemporary art exhibitions addressing a wide range of subject matter, mediums, and time periods, highlighting significant recent developments in the visual arts and new interpretations of major artists and art historical movements. Works of art from its collection are displayed in rotating installations so that the public may regularly expect to find new works on display. Ongoing programs of classic and contemporary films range from retrospectives and historical surveys to introductions of the work of independent and experimental film- and video makers. Visitors also enjoy access to bookstores offering an assortment of publications, and a design store offering objects related to modern and contemporary art and design.

The Museum is dedicated to its role as an educational institution and provides a complete program of activities intended to assist both the general public and special segments of the community in approaching and understanding the world of modern and contemporary art. In addition to gallery talks, lectures, and symposia, the Museum offers special activities for parents, teachers, families, students, preschoolers, bilingual visitors, and people with special needs. In addition, the Museum has one of the most active publishing programs of any art museum and has published more than 2,500 editions appearing in 35 languages.

Today, The Museum of Modern Art welcome millions of visitors every year. A still larger public is served by MoMA’s national and international programs of circulating exhibitions, loan programs, circulating film and video library, publications, Library and Archives holdings, websites, educational activities, special events, and retail sales.


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Isaac Julien: Lessons of the Hour

In Lessons of the Hour (2019), Sir Isaac Julien presents an immersive portrait of abolitionist Frederick Douglass, who obtained freedom from chattel slavery in 1838 and became one of the most important orators, writers, and statespersons of the 19th century. Across the 10 screens of this video insta... [ + ]llation, a nonlinear narrative melds Douglass’s life and work with excerpts from several of his speeches, literary works, and personal correspondence. The most photographed American of his era, Douglass understood that portraiture could challenge racist tropes and advance the freedom and civil rights of Black Americans and subjugated people around the world.For the first time, historical objects directly related to Lessons of the Hour will be on view alongside the work. They include albumen silver print portraits of Douglass, pamphlets of his speeches, first editions of his memoirs, a facsimile of a rare manuscript laying out his ideas about photography, and a specially designed wallpaper composed of period newspaper clippings, broadsides, magazine illustrations, and scrapbook pages. These objects reveal how Douglass’s image and words circulated in the transatlantic, 19th-century world, and also bear out Julien’s insight in Lessons of the Hour: that Douglass’s ideas about citizenship, democracy, and human dignity remain timeless.

07/27/2024 10:30 AM
Sat, July 27
10:30AM
$
$30 - Adults
$22 - Seniors
$17 - Students
Children (16 and under): Free

Advance purchase of tickets is required to guarantee entry. Visitors who
book tickets online save $2 per ticket.

Special exhibitions, audio programs, films, and gallery talks are included in the price of admission.
Free admission for New York City residents on the first Friday evening of every month, from 4:00 to 8:00 pm
Get Tickets

Crafting Modernity Design in Latin America, 1940–1980

“There is design in everything,” wrote Clara Porset, the innovative Cuban-Mexican designer. She believed that craft and industry could inspire each other, forging an alternative path for modern design. Not all of Porset’s colleagues agreed with her conviction. This exhibition presents these sometime... [ + ]s conflicting visions of modernity proposed by designers of home environments in Argentina, Brazil, Chile, Colombia, Mexico, and Venezuela between 1940 and 1980. For some, design was an evolution of local and Indigenous craft traditions, leading to an approach that combined centuries-old artisanal techniques with machine-based methods. For others, design responded to market conditions and local tastes, and was based on available technologies and industrial processes. In this exhibition, objects including furniture, appliances, posters, textiles, and ceramics, as well as a selection of photographs and paintings, will explore these tensions.The home became a site of experimentation for modern living during a period marked by dramatic political, economic, and social changes, which had broad repercussions for Latin American visual culture. For nearly half a century, the design of the domestic environment embodied ideas of national identity, models of production, and modern ways of living. The home also offered opportunities for a dialogue between art, architecture, and design. Highlights of the exhibition include Clara Porset’s Butaque chair; Lina Bo Bardi’s Bowl chair; Antonio Bonet, Juan Kurchan, and Jorge Ferrari Hardoy’s B.K.F. Chair; and Roberto Matta’s Malitte Lounge Furniture.

07/27/2024 10:30 AM
Sat, July 27
10:30AM
$
$30 - Adults
$22 - Seniors
$17 - Students
Children (16 and under): Free

Advance purchase of tickets is required to guarantee entry. Visitors who
book tickets online save $2 per ticket.

Special exhibitions, audio programs, films, and gallery talks are included in the price of admission.
Free admission for New York City residents on the first Friday evening of every month, from 4:00 to 8:00 pm
Get Tickets

Info

11 West 53rd Street
New York, NY 10019
(212) 708-9400
Website

Editorial Rating

Admission And Tickets

$30 - Adults
$22 - Seniors
$17 - Students
Children (16 and under): Free

Advance purchase of tickets is required to guarantee entry. Visitors who
book tickets online save $2 per ticket.

Special exhibitions, audio programs, films, and gallery talks are included in the price of admission.
Free admission for New York City residents on the first Friday evening of every month, from 4:00 to 8:00 pm

This Week's Hours

Sun – Fri: 10:30am – 5:30pm
Sat: 10:30am – 7:00pm
Closed Thanksgiving and Christmas

Every Saturday and Sunday from 9:30am to 10:30am members enjoy exclusive, early access to select galleries, must-see exhibitions, and more before the Museum opens to the public.

Free admission for New York City residents on the first Friday evening of every month, from 4:00pm to 8:00pm

Nearby Subway

  • to 5th Ave
  • to Lexington Av/3rd Av
  • to 47-50 Streets/Rockefeller Center

Upcoming Events

Isaac Julien: Lessons of the Hour

In Lessons of the Hour (2019), Sir Isaac Julien presents an immersive portrait of abolitionist Frederick Douglass, who obtained freedom from chattel slavery in 1838 and became one of the most important orators, writers, and statespersons of the 19th century. Across the 10 screens of this video insta... [ + ]llation, a nonlinear narrative melds Douglass’s life and work with excerpts from several of his speeches, literary works, and personal correspondence. The most photographed American of his era, Douglass understood that portraiture could challenge racist tropes and advance the freedom and civil rights of Black Americans and subjugated people around the world.For the first time, historical objects directly related to Lessons of the Hour will be on view alongside the work. They include albumen silver print portraits of Douglass, pamphlets of his speeches, first editions of his memoirs, a facsimile of a rare manuscript laying out his ideas about photography, and a specially designed wallpaper composed of period newspaper clippings, broadsides, magazine illustrations, and scrapbook pages. These objects reveal how Douglass’s image and words circulated in the transatlantic, 19th-century world, and also bear out Julien’s insight in Lessons of the Hour: that Douglass’s ideas about citizenship, democracy, and human dignity remain timeless.

07/27/2024 10:30 AM
Sat, July 27
10:30AM
$
$30 - Adults
$22 - Seniors
$17 - Students
Children (16 and under): Free

Advance purchase of tickets is required to guarantee entry. Visitors who
book tickets online save $2 per ticket.

Special exhibitions, audio programs, films, and gallery talks are included in the price of admission.
Free admission for New York City residents on the first Friday evening of every month, from 4:00 to 8:00 pm
Get Tickets

Crafting Modernity Design in Latin America, 1940–1980

“There is design in everything,” wrote Clara Porset, the innovative Cuban-Mexican designer. She believed that craft and industry could inspire each other, forging an alternative path for modern design. Not all of Porset’s colleagues agreed with her conviction. This exhibition presents these sometime... [ + ]s conflicting visions of modernity proposed by designers of home environments in Argentina, Brazil, Chile, Colombia, Mexico, and Venezuela between 1940 and 1980. For some, design was an evolution of local and Indigenous craft traditions, leading to an approach that combined centuries-old artisanal techniques with machine-based methods. For others, design responded to market conditions and local tastes, and was based on available technologies and industrial processes. In this exhibition, objects including furniture, appliances, posters, textiles, and ceramics, as well as a selection of photographs and paintings, will explore these tensions.The home became a site of experimentation for modern living during a period marked by dramatic political, economic, and social changes, which had broad repercussions for Latin American visual culture. For nearly half a century, the design of the domestic environment embodied ideas of national identity, models of production, and modern ways of living. The home also offered opportunities for a dialogue between art, architecture, and design. Highlights of the exhibition include Clara Porset’s Butaque chair; Lina Bo Bardi’s Bowl chair; Antonio Bonet, Juan Kurchan, and Jorge Ferrari Hardoy’s B.K.F. Chair; and Roberto Matta’s Malitte Lounge Furniture.

07/27/2024 10:30 AM
Sat, July 27
10:30AM
$
$30 - Adults
$22 - Seniors
$17 - Students
Children (16 and under): Free

Advance purchase of tickets is required to guarantee entry. Visitors who
book tickets online save $2 per ticket.

Special exhibitions, audio programs, films, and gallery talks are included in the price of admission.
Free admission for New York City residents on the first Friday evening of every month, from 4:00 to 8:00 pm
Get Tickets

Isaac Julien: Lessons of the Hour

In Lessons of the Hour (2019), Sir Isaac Julien presents an immersive portrait of abolitionist Frederick Douglass, who obtained freedom from chattel slavery in 1838 and became one of the most important orators, writers, and statespersons of the 19th century. Across the 10 screens of this video insta... [ + ]llation, a nonlinear narrative melds Douglass’s life and work with excerpts from several of his speeches, literary works, and personal correspondence. The most photographed American of his era, Douglass understood that portraiture could challenge racist tropes and advance the freedom and civil rights of Black Americans and subjugated people around the world.For the first time, historical objects directly related to Lessons of the Hour will be on view alongside the work. They include albumen silver print portraits of Douglass, pamphlets of his speeches, first editions of his memoirs, a facsimile of a rare manuscript laying out his ideas about photography, and a specially designed wallpaper composed of period newspaper clippings, broadsides, magazine illustrations, and scrapbook pages. These objects reveal how Douglass’s image and words circulated in the transatlantic, 19th-century world, and also bear out Julien’s insight in Lessons of the Hour: that Douglass’s ideas about citizenship, democracy, and human dignity remain timeless.

07/28/2024 10:30 AM
Sun, July 28
10:30AM
$
$30 - Adults
$22 - Seniors
$17 - Students
Children (16 and under): Free

Advance purchase of tickets is required to guarantee entry. Visitors who
book tickets online save $2 per ticket.

Special exhibitions, audio programs, films, and gallery talks are included in the price of admission.
Free admission for New York City residents on the first Friday evening of every month, from 4:00 to 8:00 pm
Get Tickets

Crafting Modernity Design in Latin America, 1940–1980

“There is design in everything,” wrote Clara Porset, the innovative Cuban-Mexican designer. She believed that craft and industry could inspire each other, forging an alternative path for modern design. Not all of Porset’s colleagues agreed with her conviction. This exhibition presents these sometime... [ + ]s conflicting visions of modernity proposed by designers of home environments in Argentina, Brazil, Chile, Colombia, Mexico, and Venezuela between 1940 and 1980. For some, design was an evolution of local and Indigenous craft traditions, leading to an approach that combined centuries-old artisanal techniques with machine-based methods. For others, design responded to market conditions and local tastes, and was based on available technologies and industrial processes. In this exhibition, objects including furniture, appliances, posters, textiles, and ceramics, as well as a selection of photographs and paintings, will explore these tensions.The home became a site of experimentation for modern living during a period marked by dramatic political, economic, and social changes, which had broad repercussions for Latin American visual culture. For nearly half a century, the design of the domestic environment embodied ideas of national identity, models of production, and modern ways of living. The home also offered opportunities for a dialogue between art, architecture, and design. Highlights of the exhibition include Clara Porset’s Butaque chair; Lina Bo Bardi’s Bowl chair; Antonio Bonet, Juan Kurchan, and Jorge Ferrari Hardoy’s B.K.F. Chair; and Roberto Matta’s Malitte Lounge Furniture.

07/28/2024 10:30 AM
Sun, July 28
10:30AM
$
$30 - Adults
$22 - Seniors
$17 - Students
Children (16 and under): Free

Advance purchase of tickets is required to guarantee entry. Visitors who
book tickets online save $2 per ticket.

Special exhibitions, audio programs, films, and gallery talks are included in the price of admission.
Free admission for New York City residents on the first Friday evening of every month, from 4:00 to 8:00 pm
Get Tickets

Isaac Julien: Lessons of the Hour

In Lessons of the Hour (2019), Sir Isaac Julien presents an immersive portrait of abolitionist Frederick Douglass, who obtained freedom from chattel slavery in 1838 and became one of the most important orators, writers, and statespersons of the 19th century. Across the 10 screens of this video insta... [ + ]llation, a nonlinear narrative melds Douglass’s life and work with excerpts from several of his speeches, literary works, and personal correspondence. The most photographed American of his era, Douglass understood that portraiture could challenge racist tropes and advance the freedom and civil rights of Black Americans and subjugated people around the world.For the first time, historical objects directly related to Lessons of the Hour will be on view alongside the work. They include albumen silver print portraits of Douglass, pamphlets of his speeches, first editions of his memoirs, a facsimile of a rare manuscript laying out his ideas about photography, and a specially designed wallpaper composed of period newspaper clippings, broadsides, magazine illustrations, and scrapbook pages. These objects reveal how Douglass’s image and words circulated in the transatlantic, 19th-century world, and also bear out Julien’s insight in Lessons of the Hour: that Douglass’s ideas about citizenship, democracy, and human dignity remain timeless.

07/29/2024 10:30 AM
Mon, July 29
10:30AM
$
$30 - Adults
$22 - Seniors
$17 - Students
Children (16 and under): Free

Advance purchase of tickets is required to guarantee entry. Visitors who
book tickets online save $2 per ticket.

Special exhibitions, audio programs, films, and gallery talks are included in the price of admission.
Free admission for New York City residents on the first Friday evening of every month, from 4:00 to 8:00 pm
Get Tickets
View All Upcoming Events

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